MusicSafari 11 : Not All Who Wonder Are Last (CD Review)

Not All Who Wonder Are Last

Bowlines CD cover

Not All Who Wonder Are Last is the second CD of the Melbourne-based string trio Bowlines. In this CD, listeners encounter the new line-up of the ensemble: Ernie Gruner (violin/viola/octave violin), Hope Csutoros (violin), and Helen Mountfort (cello). The whole CD is a live recording of a Bowlines’ performance in Brunswick, Victoria on 30th October 2016. Drawing elements and inspirations from various sources, including classical and world music, Bowlines created an improvised cross-genre music that offers listeners many magical moments.

While four short tracks (Rowing into Sunlight, The Traveller’s Dog, Over the Hills to Faraway, and Unexpected Descent) are built on a single musical idea/gesture, longer tracks are beautifully crafted to reveal to the listeners the audio essences of feelings or imagined situations. The CD demonstrates Bowlines’ mastery of story-telling in sounds with lively gestures, dazzling rhythms and charming melodies. Their music flows easily from moments ot moments, from one idea to another, and from earthy folk elements to classical and theatrical textures. It is a joy to listen to the CD in its entirety as a grand suite of improvised moments.

The whole CD can be sampled online at Bowlines’ Bandcamp site.

Bowlines will launch this new CD in Melbourne, Australia on October 7th 2018. For details, visit their website at: http://www.bowlines.com.au/gigs/

MusicSafari 10: Fluorophone by Speak Percussion

Speak Percussion is the Australian percussion ensemble that has re-defined the sounds of percussion music and the potential of percussion. Speak Percussion is internationally recognised as a leader in the fields of experimental and contemporary classical music. Many of its performances are impressive in both visual and musical aspects.

Between 23 and 25 November 2016, Speak Percussion presented the Australian premiere of its 2015 touring project Fluorophone.

Fluorophone creates a kaleidoscopic sound world in which the central instruments radiate, flicker, glow and burn. Analogue and digital fluorescent lights, the naked flame, strobe lights and custom-built LED discs are combined with percussion to create a program in which the music and lighting design are one and the same. Fluorophone moves between noise, theatrical music and virtuosic instrumentalism, in a synesthetic display of light and sound. Featuring specially commissioned works by a prominent team of leading composers”–Program notes.

Fluorophone features works by Juliana Hodkinson, Simon Loeffler, Eugene Ughetti, and Damien Ricketson.

Lightness by Juliana Hodkinson:

 

e by Simon Loeffler

 

 

Pyrite Gland by Eugene Ughetti

 

 

Rendition Clinic by Damien Ricketson

 

 

b by Simon Loeffler

 

 

For more information on Speak Percussion, visit their website

Music from the 2016 Tunnel Number Five Festival

Music from the 2016 Tunnel Number Five Festival

Tunnel Number Five is one of the underground oil storage tunnels created in Darwin during the World War II. At the depth of 15 meters, the 172 meter-long tunnel is a space of incredible resonance and acoustic qualities.

The Tunnel Number Five Festival of Underground Music is an annual event that brings together professional independent musicians from across Australia to the Northern Territory to provoke the creation of new music in new combinations of artists.

This sonic exhibition presents live recordings of 3 performances from the 2016 Tunnel Number Five Festival of Underground Music (from the digital album Up from the Deep)

Sea Sky

Sarah Hopkins (cello, harmonic whirlies, overtone singing), Anne Norman (shakuhachi), Ernie Gruner (violin), Anja Tait (violin), Netanela Mizrahi (viola)

 

“Music flows through the length of the tunnel, carrying performers and audience
alike. The spaciousness of Tunnel Number Five becomes a vital member of
the ensemble as Anne walks its length. Ernie, Netanela and Sarah met for the
first time in Tunnel Number Five, and like the ever changing elements of the
sea and sky, this music simply emerged, playful, powerful… magic”

Remember the Joy — Buŋgul

Sarah Hopkins (cello, overtone singing ); Jason Guwanbal Gurruwiwi (manikay ); Henk Rumbewas , Amanda Rumbewas, Sebastian Guyundula Burarrawanga, Anne Norman, Adrian Gurruwiwi , Netanela Mizrahi (choirchimes); Ernie Gruner, Cathy Dowden, harmonic whirlies.

 

Remember the Joy’ is a piece for cello, overtone singing, choirchimes &
harmonic whirlies composed by Sarah Hopkins in 1994, spontaneously joined
here by Guwanbal. Guwanbal’s song is derived from a small section of a Gälpu
song line, of which he is custodian. Usually sung in buŋgul (ceremonies), this
manikay is about Guwanbal’s totem Wititj, a rainbow serpent. Wititj lives at
the bottom of a waterhole in a place called Dhumara Garrimala belonging to
the Gälpu people. Bubbles rise up from the deep as Wititj sends its power into
the sky, initiating the formation of rainclouds. Thunder is heard a long way off,
then lightning comes and black clouds release their rain. After the rain, Wititj
releases more bubbles, and a rainbow appears.

Ŋurula — Wheeling Seagulls

Whirlies; manikay; shakuhachi; viola; violin; Biak song

 

 

Soaring up high, in the clouds, see the gentle dancing rain. Wheeling around
the tiny island of Ganalawurru, the seagulls of the Djambarrpuŋyu clan.
Seagulls roost on the tiny island of Ganalawurru, just off the north coast of
Elcho island. Guwanbal’s manikay of the Gälpu clan is beautifully supported
by the harmonic whirlies of Sarah, occasionally joined by Guyundula, strings,
shakuhachi and Henk’s rich voice singing: Awino oooh! Oh! Mother.

 

For more information about the festival, visit Tunnel Number Five Festival of Underground Music

A selection of live recordings from the 2016 Tunnel Number Five Festival of Underground Music has been released on the digital album & CD Up from the Deep. Listen to all tracks from this album online at BandCamp.

All sounds and texts ©2017 by the artists
Remember the Joy ©1994-2017 by Sarah Hopkins

MusicSafari 9: Up from the Deep (Digital Album Review)

Up from the Deep


 

 

 

 

 

 

 

 

 

Up from the Deep is a compilation of selected live recordings from five concerts held in a World War II oil storage tunnel under Darwin (Australia) during the 2016 Tunnel Number Five Festival of Underground Music . This 2016 festival is a special event in which Aboriginal and non-Aboriginal Australians from various musical paths gathered and made music together in a space deep in their shared land. The acoustic outcome is exquisitely beautiful.

Up From the Deep has 14 tracks featuring eight manikay (clan songs of the Yolngu people people in Northeastern Arnhem Land), two West Papua songs, and four instrumental pieces.

Aboriginal songmen Jason Guwanbal Gurruwiwi and Sebastian Guyundula Burarrawanga joined Sarah Hopkins (cello, harmonic whirlies, overtone singing), Anne Norman (shakuhachi), Ernie Gruner (violin), Anja Tait (violin), Netanela Mizrahi (viola), and Adrian Gurruwiwi (yidaki) to deliver the manikay. In six of these manikay, the instrumentalists created soundscapes that nurture the voice(s) and the meanings of the songs to enhance their beauty and to bring the musical experience to a deeper level.

A very special and moving moment happened when Guwanbal spontaneously sang a manikay “Look at the cloud formation rising up from Dhumara Garrimala” during the performance of Sarah Hopkins’ 1994 composition Remember the Joy. The pre-composed music and the manikay seem to blend into a magical whole.

The four instrumental pieces offer strikingly contrasting atmospheres. They were masterly created at the moment of performance in the tunnel. While Sea Sky (violin, viola, cello and shakuhachi) and Water Spirits (2 violins and viola) flow effortlessly along the soundscapes of the manikay , Dance! As the World Goes Mad! and Wartime Waltz are lively reminders of the resilience of Darwin during wartime.

Apart from the manikay and instrumental pieces, the earthy and heartfelt songs sung in Biak language (now officially replaced by Bahasa Indonesia in West Papua) performed by Henk Rumbewas added another dimension of sounds to musically enrich this compilation. Henk also briefly added his powerful voice in two of the manikay songs, Wheeling Seagulls and Green Sea Turtle, eliciting an excited response from the instrumentalists and the Yolngu songmen.

Up from the Deep is a special compilation that presents the musical traditions of Australia in a new perspective. Here, the artists met and created music spontaneously in a space deep within our land. Each artist draws from his/her musical experience to contribute to the process of music-making, bringing about magical moments in sound.

You can listen to all tracks of the album Up from the Deep at BandCamp.

MusicSafari 8: Circling Strangers (CD Review)

Bowlines’ Circling Strangers
bowlines-cover-1

 

 

 

 

 

 

 

 

 

Circling Strangers is the debut CD of the improvising string trio Bowlines (Ernie Gruner (violin/viola), Heather Stewart (violin) and Jenny Thomas (viola)). The CD is a live recording of Bowlines’ performance in Brunswick, Victoria on 27th of July, 2014. The music on this CD reveals the magical power of collective improvisation at work. The three improvisers create musical layers that blend, support, or reinforce each other in a variety of ways. Elements of musical traditions such as classical, blues, or klezmer provide the raw materials for the musicians to create new musical entities with depth and feelings.

Bowlines’ music leads listeners through various moods and audio landscapes. The title track of the CD, Circling Strangers (Track 2), shows collective improvisation at its best. Here, the three instruments are perfectly unified into a musical stream that fluidly evolves in a lyrical and dynamic way. Track 3 is a little beauty in which the combination of pizzicatos, spiccatos, brief patterns and long glissandos with walking rhythms seems to depict scenes from a ballet of marionettes. The music of Waiting in Long Empty Space (Track 4) is quite emotional. At times, the strings sound as if they are moaning under the delicate bows. Taking the Mantle Again (Track 8) is characterised by long and lyrical melodies. Sweet Behemoth (Track 9) is fused with energy and is beautifully crafted with layers of tremolos and pizzicatos in varying intensities.

Even though Circling Strangers only contains 35 minutes of music, the CD has much to offer to listeners who love to explore the beauty of spontaneity in improvised music.

The CD can be listened online at: Bowlines’ Bandcamp Site

For more information about Bowlines, please visit their website: Bowlines

Beneath the Surface

Beneath the Surface

Anne Norman: Shakuhachi
Anja Tait: violin
Emily Sheppard: violin

A collective improvisation recorded underground in the 172-meter-long Tunnel Number Five under Darwin (Australia), and released in the CD Beneath the Surface (2016)

Duration: 6:46

Artist’s notes:

Emily and Anja first met just before the gig when this piece was born. They are both remarkable improvisers. All sorts of things were going on for each of us beneath the surface, and of course for each audience member too. Entering a resonant space deep under a hillside, and opening yourself to fall into the moment, into the sound waves… make way for magic to be born. Music created spontaneously is an expression of things that one is not conscious of, and completely unable to put into words at the time…

All sounds and texts text © 2016 by Anne Norman, Anja Tait,Emily Sheppard

Rain Now and Then

Rain Now and Then

Poem and music by Anne Norman

Anne Norman: Shakuhachi

Outside My Window (Poem)

Written in 2011 at home in Victoria, Australia to accompany Rain Now and Then, at the end of a very long drought.

Anne Norman: spoken voice

Duration: 1:21

Rain Now and Then

Anne Norman: Shakuhachi

Duration: 5:28

Composer’s notes:

In February 2011, I experienced sheer delight at watching rain gently fall on my thirsty garden… sensations I had forgotten. The rain came and went throughout the day as I played my shakuhachi by the window, jotting down melodic ideas and colours until it was complete.

Recorded underground in the 172-meter-long Tunnel Number Five under Darwin (Australia), and released in the CD Beneath the Surface (2016)

All sounds and texts text © 2016 by Anne Norman