Speak Percussion is the Australian percussion ensemble that has re-defined the sounds of percussion music and the potential of percussion. Speak Percussion is internationally recognised as a leader in the fields of experimental and contemporary classical music. Many of its performances are impressive in both visual and musical aspects.
Between 23 and 25 November 2016, Speak Percussion presented the Australian premiere of its 2015 touring project Fluorophone.
“Fluorophone creates a kaleidoscopic sound world in which the central instruments radiate, flicker, glow and burn. Analogue and digital fluorescent lights, the naked flame, strobe lights and custom-built LED discs are combined with percussion to create a program in which the music and lighting design are one and the same. Fluorophone moves between noise, theatrical music and virtuosic instrumentalism, in a synesthetic display of light and sound. Featuring specially commissioned works by a prominent team of leading composers”–Program notes.
Fluorophone features works by Juliana Hodkinson, Simon Loeffler, Eugene Ughetti, and Damien Ricketson.
Lightness by Juliana Hodkinson:
e by Simon Loeffler
Pyrite Gland by Eugene Ughetti
Rendition Clinic by Damien Ricketson
b by Simon Loeffler
For more information on Speak Percussion, visit their website
Tunnel Number Five is one of the underground oil storage tunnels created in Darwin during the World War II. At the depth of 15 meters, the 172 meter-long tunnel is a space of incredible resonance and acoustic qualities.
The Tunnel Number Five Festival of Underground Music is an annual event that brings together professional independent musicians from across Australia to the Northern Territory to provoke the creation of new music in new combinations of artists.
This sonic exhibition presents live recordings of 3 performances from the 2016 Tunnel Number Five Festival of Underground Music (from the digital album Up from the Deep)
Sarah Hopkins (cello, harmonic whirlies, overtone singing), Anne Norman (shakuhachi), Ernie Gruner (violin), Anja Tait (violin), Netanela Mizrahi (viola)
“Music flows through the length of the tunnel, carrying performers and audience
alike. The spaciousness of Tunnel Number Five becomes a vital member of
the ensemble as Anne walks its length. Ernie, Netanela and Sarah met for the
first time in Tunnel Number Five, and like the ever changing elements of the
sea and sky, this music simply emerged, playful, powerful… magic”
Remember the Joy — Buŋgul
Sarah Hopkins (cello, overtone singing ); Jason Guwanbal Gurruwiwi (manikay ); Henk Rumbewas , Amanda Rumbewas, Sebastian Guyundula Burarrawanga, Anne Norman, Adrian Gurruwiwi , Netanela Mizrahi (choirchimes); Ernie Gruner, Cathy Dowden, harmonic whirlies.
‘Remember the Joy’ is a piece for cello, overtone singing, choirchimes &
harmonic whirlies composed by Sarah Hopkins in 1994, spontaneously joined
here by Guwanbal. Guwanbal’s song is derived from a small section of a Gälpu
song line, of which he is custodian. Usually sung in buŋgul (ceremonies), this
manikay is about Guwanbal’s totem Wititj, a rainbow serpent. Wititj lives at
the bottom of a waterhole in a place called Dhumara Garrimala belonging to
the Gälpu people. Bubbles rise up from the deep as Wititj sends its power into
the sky, initiating the formation of rainclouds. Thunder is heard a long way off,
then lightning comes and black clouds release their rain. After the rain, Wititj
releases more bubbles, and a rainbow appears.
Ŋurula — Wheeling Seagulls
Whirlies; manikay; shakuhachi; viola; violin; Biak song
Soaring up high, in the clouds, see the gentle dancing rain. Wheeling around
the tiny island of Ganalawurru, the seagulls of the Djambarrpuŋyu clan.
Seagulls roost on the tiny island of Ganalawurru, just off the north coast of
Elcho island. Guwanbal’s manikay of the Gälpu clan is beautifully supported
by the harmonic whirlies of Sarah, occasionally joined by Guyundula, strings,
shakuhachi and Henk’s rich voice singing: Awino oooh! Oh! Mother.
A selection of live recordings from the 2016 Tunnel Number Five Festival of Underground Music has been released on the digital album & CD Up from the Deep. Listen to all tracks from this album online at BandCamp.
Up from the Deep is a compilation of selected live recordings from five concerts held in a World War II oil storage tunnel under Darwin (Australia) during the 2016 Tunnel Number Five Festival of Underground Music . This 2016 festival is a special event in which Aboriginal and non-Aboriginal Australians from various musical paths gathered and made music together in a space deep in their shared land. The acoustic outcome is exquisitely beautiful.
Up From the Deep has 14 tracks featuring eight manikay (clan songs of the Yolngu people people in Northeastern Arnhem Land), two West Papua songs, and four instrumental pieces.
Aboriginal songmen Jason Guwanbal Gurruwiwi and Sebastian Guyundula Burarrawanga joined Sarah Hopkins (cello, harmonic whirlies, overtone singing), Anne Norman (shakuhachi), Ernie Gruner (violin), Anja Tait (violin), Netanela Mizrahi (viola), and Adrian Gurruwiwi (yidaki) to deliver the manikay. In six of these manikay, the instrumentalists created soundscapes that nurture the voice(s) and the meanings of the songs to enhance their beauty and to bring the musical experience to a deeper level.
A very special and moving moment happened when Guwanbal spontaneously sang a manikay “Look at the cloud formation rising up from Dhumara Garrimala” during the performance of Sarah Hopkins’ 1994 composition Remember the Joy. The pre-composed music and the manikay seem to blend into a magical whole.
The four instrumental pieces offer strikingly contrasting atmospheres. They were masterly created at the moment of performance in the tunnel. While Sea Sky (violin, viola, cello and shakuhachi) and Water Spirits (2 violins and viola) flow effortlessly along the soundscapes of the manikay , Dance! As the World Goes Mad! and Wartime Waltz are lively reminders of the resilience of Darwin during wartime.
Apart from the manikay and instrumental pieces, the earthy and heartfelt songs sung in Biak language (now officially replaced by Bahasa Indonesia in West Papua) performed by Henk Rumbewas added another dimension of sounds to musically enrich this compilation. Henk also briefly added his powerful voice in two of the manikay songs, Wheeling Seagulls and Green Sea Turtle, eliciting an excited response from the instrumentalists and the Yolngu songmen.
Up from the Deep is a special compilation that presents the musical traditions of Australia in a new perspective. Here, the artists met and created music spontaneously in a space deep within our land. Each artist draws from his/her musical experience to contribute to the process of music-making, bringing about magical moments in sound.
You can listen to all tracks of the album Up from the Deep at BandCamp.